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Daily Deviation
January 17, 2009
The suggester says, "Grazing Dinosaurs. For Shame by =mngamojemo is pure surrealism with a great internal structure."
Featured by lovetodeviate
Suggested by axaganyu
Literature Text
See here. She moves
like something's missing, like in a dream
of things primordial, long-tailed scooted dinosaurs
that skulk around the bushes. Shame.
To wonder why the next who speaks
repeats the thing you said, recieves
the gentle laugh. To think
to chit-chat.
Just be content
that no-one speaks and swinging
tails of horseshoe crabs avoid
your legs.
Out there the whales collide with ships, the kraken
dance. My love whose ears are just like shells,
I hear the ocean pressed against them, knows.
The fairies hate a liar and a thief.
My love whose eyes are alabaster knows.
You've plumped up
like a dumpling, firm and ragged. Look at me
when you speak. You asked if
there were rules to being real.
She moves like in a nightmare of the England
overrun by wolves. So let
the forest have her, if it comes
to that. For shame.
The eight-foot terror-cranes once strode tall
the savanna, snatching
horses. The name
that many races call themselves
is "only people".
My love is this:
someone who lies about all day
in peace, on cushions, whose eyes
are alabaster, whose ears
hear only sea. My love
holds water. My love
can stare and stare as something
makes the noise of ten excited crowds
outside our door.
You are a walker.
Ragged shoes and hobnailed
feet and toes clawed
like a raptor, but arms
as far from graceful, noble wings as steel
is far from cardboard in
the road, and tracked
with mud-soaked
treads.
Tired and with pupils
spread like dull and rusty pans.
She stays awake that time
that could be any day. Why can you not
be like the rest, who chit-chat?
It's just
like talking to a syphilitic.
No taste in clothes.
No sense
of urgency.
(God gave that to a flea!)
The fairies in the corners glare
with all the hate they have for mortal folk.
Milk curdles in your place,
things move and letters from your words go
missing.
Be real and true or things go badly.
Shame.
like something's missing, like in a dream
of things primordial, long-tailed scooted dinosaurs
that skulk around the bushes. Shame.
To wonder why the next who speaks
repeats the thing you said, recieves
the gentle laugh. To think
to chit-chat.
Just be content
that no-one speaks and swinging
tails of horseshoe crabs avoid
your legs.
Out there the whales collide with ships, the kraken
dance. My love whose ears are just like shells,
I hear the ocean pressed against them, knows.
The fairies hate a liar and a thief.
My love whose eyes are alabaster knows.
You've plumped up
like a dumpling, firm and ragged. Look at me
when you speak. You asked if
there were rules to being real.
She moves like in a nightmare of the England
overrun by wolves. So let
the forest have her, if it comes
to that. For shame.
The eight-foot terror-cranes once strode tall
the savanna, snatching
horses. The name
that many races call themselves
is "only people".
My love is this:
someone who lies about all day
in peace, on cushions, whose eyes
are alabaster, whose ears
hear only sea. My love
holds water. My love
can stare and stare as something
makes the noise of ten excited crowds
outside our door.
You are a walker.
Ragged shoes and hobnailed
feet and toes clawed
like a raptor, but arms
as far from graceful, noble wings as steel
is far from cardboard in
the road, and tracked
with mud-soaked
treads.
Tired and with pupils
spread like dull and rusty pans.
She stays awake that time
that could be any day. Why can you not
be like the rest, who chit-chat?
It's just
like talking to a syphilitic.
No taste in clothes.
No sense
of urgency.
(God gave that to a flea!)
The fairies in the corners glare
with all the hate they have for mortal folk.
Milk curdles in your place,
things move and letters from your words go
missing.
Be real and true or things go badly.
Shame.
Literature
songs about slumber
I.
our city is a bed
.
a man tries to straighten the wrinkled
sheet of road gives up, sits down,
pans the street for change
.
the apartment building thrusts, phallic,
making love to an empty sky. a burst
of pigeons coo shut up shut up
.
a boy tries to fall asleep. his nightlight
is a myth that burns out once a day
.
the girl walks off her roof
.
.
our city is not a mattress
.
Literature
hunchback whales.
mabe is nine, going on thirty-three.
she tells her mother i hate the way the sun and the moon don't share the sky equally, and i wish mister tompkin could still use his legs and if i could do anything it would be to read a hundred books at record speed and to stop fidgeting like you ask, and also, i'd pet a hunchback whale just once.
mabe's mother, who is busy cooking supper, asks mabe if she is keeping an eye on the twins. tells mabe to help them wash their little hands and to wash her own, too.
mabe's mother tells mabe to also set the table and to let the dog out and to stir the potatoes, please.
mabe stirs the potatoes then
Literature
eikon aklastos.
we mused underneath bloodless onyx nights,
pointing out the stars like celestial bread crumbs
left behind by some careless angel. safe
in their studded velvet sea, they sighed and
gossiped high above our heads; they hissed their secrets
to the big blue marble so many light-years away:
sibilant whispers, snake-eyed promises eventually neglected.
someday, when the stars are collected like bits of
shredded reality by zeus's sons and daughters,
when they pull the plug on the moon, when it bleeds out
one or two more firefly flickers and finally dies,
we will discover how to collapse into the edges of existence
and ab
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A few clarifications are needed, aren't they?
There are three tenors in this poem. The Walker and the Shamer are two. The Shamer is never addressed, and always speaks in second-person. The Shamer is a disapproving voice who dislikes the Walker's social awkwardness and retreat into fantasy.
(The Shamer is actually an aspect of the Walker.)
The Walker does much of the speaking, and all of the stuff about fairies and dinosaurs. The Walker is a shabby, clumsy individual, and retreats into fantasy constantly.
My Love is a humanized representation of this active fantasy life. She is alluring and beautiful, but has little relation to the real world.
The long-tailed scooted dinosaur is Scutellosaurus, which had little protective nubs named scoots embedded in its skin. The scales of a crocodile are also scoots.
The fairies are absolutely not pretty little Tinkerbell types. They are the old-school fairies that must be addressed as Our Good Neighbors because nobody wants to piss them off. They trick passerby, steal children, and absolutely destroy anyone who annoys them too much.
The terror cranes are Diatryma, and their snacks are Hyracotherium.
The name that many races call themselves is only people. That's what Inuit means, for one.
There are three tenors in this poem. The Walker and the Shamer are two. The Shamer is never addressed, and always speaks in second-person. The Shamer is a disapproving voice who dislikes the Walker's social awkwardness and retreat into fantasy.
(The Shamer is actually an aspect of the Walker.)
The Walker does much of the speaking, and all of the stuff about fairies and dinosaurs. The Walker is a shabby, clumsy individual, and retreats into fantasy constantly.
My Love is a humanized representation of this active fantasy life. She is alluring and beautiful, but has little relation to the real world.
The long-tailed scooted dinosaur is Scutellosaurus, which had little protective nubs named scoots embedded in its skin. The scales of a crocodile are also scoots.
The fairies are absolutely not pretty little Tinkerbell types. They are the old-school fairies that must be addressed as Our Good Neighbors because nobody wants to piss them off. They trick passerby, steal children, and absolutely destroy anyone who annoys them too much.
The terror cranes are Diatryma, and their snacks are Hyracotherium.
The name that many races call themselves is only people. That's what Inuit means, for one.
© 2005 - 2024 mngamojemo
Comments122
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Splashed the canvas with lines of thought and stings of words. A little hard to read, but worth the viewing.